Wednesday, April 18, 2007

Googlifying The World Of Media Planning And Buying

By Cory Treffiletti

Over the last few days there's been a lot of buzz generated (again) by Google deciding to make a move and purchase DoubleClick. Every journalist and pundit has offered his or her take on this action, creating even more hoopla over a company that is already one of the biggest and most profitable companies in the U.S. What I find interesting, however, is that people are focusing their attention on the obvious rather than the repercussions of these various moves on our immediate industry: media planning and buying. I've said it before and I will say it again: The agency model as it currently exists is doomed. What Google is doing, though not so silently, is beginning to close the casket door, but it's not closed yet and there are still a number of things that need to happen.
I predict the current agency model has about 10 years left in it. If you work in a big holding company and your agency generates the majority of its revenues from standard media planning and buying or creative development, it might be getting closer to the right time to start learning some new skills and getting involved in this wonderful world we call the Internet.
We all know the model is shifting from that of a content-centric model (where the networks and the publishers own the schedule for distributing content) to a consumer-centric model (where consumers can decide when, where and how they interact with media). We also understand that all media has a responsibility in today's plans, whether it is to introduce an idea or concept, engage the consumer in a discussion regarding that idea or concept, or remind you of the concept or idea. What Google is doing is beginning to lay the framework for how advertisers will purchase and place media in front of a consumer to achieve these varying responsibilities.
The implications for media professionals are on how we purchase each format within the accepted paradigms of "traditional" media and "online" media. I foresee a buying model that is based on 1 of 3 formats: 1) assertive media; 2) passive media; and 3) addressable media.
Assertive media is any format where the audience is specifically requesting a certain type of content. This type of media can be purchased on a self-service model or an account management model and has been perfected by Google in the form of AdWords and its cost-per-click pricing model. The model can also be applied to classifieds advertising, similar to what Craigslist does by creating a marketplace in which two parties interested in a transaction can interact with one another in a self-service model. This model applies to the folks we typically call "hand-raisers" and is extremely scalable. Google has utilized it in most of its core business, and is likely looking at applying the model to its print partnerships, possibly radio partnerships, or even in a self-selecting VOD-esque interface where all content is available on demand.
Passive media can be considered the traditional media, such as traditional broadcast television and radio. Google has partnerships with Echostar and DMarc, and the DMarc relationship provides a model for automating delivery, or even auctioning delivery, of radio ads that otherwise might have gone unsold. This can also be a self-serve sort of model, which works well in some cases in the online space. Companies like AdBrite offer this service online, so why can't Google make this work for offline companies? Why can't they offer this type of service across media that is broadcast to an audience, and apply the aforementioned self-selection model to on-demand content that is broadcast specifically at a request?
The third model is addressable media, or media where the audience may not have actually raised its hand -- but you no longer need to estimate who the audience is when you can identify them based on cookies and other relative data and information. Online advertising in general is addressable, and the purchase of DoubleClick means that Google now controls information far beyond what its audience was searching for and where they went after a search. I estimate that now the company can tell what as much as 80% of the Web is doing, even when they're not within two clicks of a Google search results page. Imagine the implications of applying this model for data and information to Echostar's business! Imagine the implications if Google were to merge, buy or partner with a cable provider like Comcast or Time Warner cable? There is a wealth of information available there, where any media planner can immediately target the correct audiences on actual numbers rather than estimates, which means Nielsen is effectively out of business.
If you're a media planner or buyer in today's marketplace, what's threatening to you is that Google is creating a model where all of this media can be purchased in one single location, on a performance or addressable basis, without estimates or needs for third-party verification, and it can provide a digital dashboard with real-time analytics and recommendations for optimization across all media formats. Google just made your role obsolete -- all with a paltry $3.1 billion purchase.
So... if you are sitting here reading these thoughts and wondering what to do, take solace in the fact that you have about eight to 10 years before you really need to move on. In the meantime, start getting very familiar with ad-serving and the companies that can offer these types of digital dashboards now. These are the kinds of companies that will be your greatest partners and your most valuable assets in the coming years. And, oh, be sure to be nice to your Google reps. It's a very small world and this industry is even smaller. If you get on their bad side now, you may regret it later on.

Thursday, February 15, 2007

MySpace Wins Sex Assault Lawsuit

by Wendy Davis, Thursday, Feb 15, 2007 6:00 AM ET
A FEDERAL JUDGE IN TEXAS has dismissed a lawsuit against MySpace stemming from the sexual assault of a 14-year-old girl.
Judge Sam Sparks held that MySpace has no obligation to protect the youngster, identified only as "Julie Doe," from a crime committed by another user of the social networking site. "If anyone had a duty to protect Julie Doe, it was her parents, not MySpace," the judge wrote.
The lawsuit alleged that the teen was assaulted in May by 19-year-old Pete Solis, who had allegedly first contacted her via the site; the teen, who was 14 at the time of the alleged assault, had given her age as 18 when she created a profile. In the $30 million lawsuit, she and her family charged MySpace with negligence, gross negligence, fraud and negligent misrepresentation.
Sparks dismissed the negligence and gross negligence charges, ruling that the Communications Decency Act of 1996 protects the company from lawsuits stemming from messages that users send each other. "To ensure that web site operators and other interactive computer services would not be crippled by lawsuits arising out of third party communications, the Act provides interactive computer services with immunity," wrote the judge.
He likewise rejected the argument that MySpace was obligated to implement safety measures to prevent sexual predators from contacting minors. He added that holding MySpace negligent for failing to verify members' ages would "stop MySpace's business in its tracks."
Sparks also dismissed allegations of fraud and negligent misrepresentation, but ruled that the teen could refile those.
The youngster's attorney, Adam Loewy, said he intends to appeal the dismissal of the negligence claims to the Fifth Circuit and to refile the fraud and misrepresentation claims in California, where there are five other similar pending lawsuits against MySpace. He added that he plans to shortly file five others.

Monday, February 12, 2007

NBC Nightly News Goes HD

The network will be the first to air the evening news in high-def.

By Phillip Swann
Washington, D.C. (February 10, 2007) -- The NBC Nightly News With Brian Williams will begin broadcasting in High-Definition next month, TVPredictions.com has learned.NBC will be the first network to broadcast the evening news in HDTV. ABC and NBC now air their morning news shows in high-def.NBC sources tells TVPredictions.com that the network's Nightly News' HD debut may coincide with the launch of high-def news broadcasts at some NBC affiliates. The network is pushing their owned and operated stations to accelerate their HD news debuts.The network is also preparing to launch a high-def simulcast of MSNBC, but that is not expected until next year.

Brian Williams' evening newscast will go high-def.The sources could not confirm the exact launch date for the high-def Nightly News broadcast, but they said it would likely be mid to late March.There are approximately 30 local stations (for all networks) across the country that now produce their newscasts in high-def.

WEB SITE ATTENTION

WEB SITE ATTENTION. Now there's an index of Web sites that command the largest share of attention on the Internet. A firm called Compete Inc. compiles the list monthly based on the amount of time U.S. Internet users spend across the top 1 million Web sites. December's top 10 and their share: 1. myspace.com, 11.9%. 2. yahoo.com, 8.5%. 3. msn.com, 3.7%. 4. eBay.com, 3.7%. 5. google.com, 2.1%. 6. aol.com, 1.7%. 7. pogo.com, 1.6%. 8. facebook.com, 0.97%. 9. amazon.com, 0.67%. 10. craigslist.com, 0.64%. (Marketing Daily, Feb. 6).

Super Bowl Commercials Echo on the Web

The Super Bowl ads for Snickers were criticized for being homophobic and were quickly pulled. But they worked in one respect: Snickers.com’s share of all Web visits was almost 16 times larger than it had been a week earlier, according to the traffic-measurement firm Hitwise. Budlight.com saw its share grow by 655.87 percent. (Hitwise reports Web site traffic as a proportion of all Internet activity, rather than an absolute number of visits.)
But those sites were so small that it was easy for them to grow by huge percentages while still remaining tiny; neither had more than 0.001 percent of all traffic on Monday. The largest numbers of new visitors, meanwhile, went to Internet companies like Careerbuilder.com, which went from hosting 0.153 percent to 0.158 percent of all Web visits.
The jury is still out on whether large TV buys are worthwhile for online companies. “You’ve got a dot-com spending $2 million on a 30-second exposure to upwards of 90 million people, not all of whom are going to even have Internet access,” said LeeAnn Prescott, a research director at Hitwise. “Online advertising can be much more targeted.” ALEX MINDLIN, NYTimes.com

Monday, June 26, 2006

The Night I Went to The Webbys and a Prince Concert Broke Out

The Webby are the Internet equivilent of The Oscars, now in their 10th year.

Hosted by Rob Corddry of the Daily Show and featuring such luminaries as Mark Cuban, The Gorillaz, NY Times columnist Thomas Friedman, MySpace co-founders, and more, the gala event took place down in the incredible Cipriani Wall Street.

But the highlight of the event was when Prince showed up to accept a lifetime achievment award a give us a song. The audio isn't great but check it out: http://turlo.com/misc/Webbys/PrinceWebbys.mp4.

Wednesday, May 10, 2006

The Day I Interviewed The Clash

Yes, THAT Clash. Joe Strummer, Mick Jones, et al.



In 1982, just out of high school and not much to do, I went to see The Clash every chance I got. I drove with a friend out to The Cape Cod Coliseum, a tin roofed hell-hole in MA. Middle of summer, no air conditioning, general admission and a bad-ass Combat Rock crowd made it a life-threatening and life-altering event.



We got there hours early cause, like I said, not much to do. Hung out in the parking lot and took turns walking around the building looking for something to do. My friend snuck into the coliseum on his scouting patrol and came back with a story of meeting Mick Jones and the Clash's manager, Kosmo Vinyl, (can I get a witness!), and getting permission to conduct an interview after the show. This would be the only interview they allowed during this entire tour, which turned out a general disaster, and was the beginning of the end for the band.

Well, after the show we were instructed to follow them to the hotel. We get there and the band backs out. Too tired. Such divas The Clash!!! The manager invited us to the Boston show a few weeks later. We were already going anyway -- like I said, not much to do.

We go to the show, which had seating this time, and luckily we were up in the balcony, cause the 'seating' didn't last long. It was a mad-ass mosh pit complete with multiple fights breaking out. At one point Joe Strummer put down his Tele midsong and climbed into (on top of) the audience to separate two people, then crowd surfed back to the stage, picked up his guitar, and picked the song back up. It was one of the coolest and gutsiest things I've ever seen.

This time we had success getting backstage and interviewing the band. First was the manager, Kosmo, about the security, then Paul, Terry the drummer, Mick, and finally a very, very out-of-it Joe Strummer.

We asked Joe 2 questions, he got confused and thought they were one. We clarified, and he put his head down for about 5-6 minutes. (You'll hear the tape deck get turned off, then back on.) His answers when he came out of his stupor were interesting, to say the least. He had postponed this entire tour for 6 weeks by disappearing off the face of the Earth, then came back with a Mohawk and an attitude.

It was a fascinating experience, and I recently unearthed the tape and MP3'ed it down. It's about 30 min, 20 Megs.

There are two of us asking question.

Order is:

Manager, Kosmo Vinyl
Bass, Paul Simonon
Drums, Terry Chimes
Guitar, Mick Jones
Guitar, Joe Strummer

ENJOY IT HERE!

Tuesday, April 25, 2006

The Day I Met Elton

What a coincidence!!

WATCH THE VIDEO

I'm walking to work this morning, I hear some music, walk over, and it's Elton Freakin John playing free outside!! Your Song. Then two from Lestat, then I Guess That's Why They Call It The Blues. In the middle of the Today Show plaza, not the end like most concerts, it felt like an intimate, in-the-round performance. Plus there were about 100 people. A TINY crowd for these things.

I walked right up to the stage. If there's anyone in the world I'd love to see do their thing close up it's Sir Elton. I've been a HUGE fan from as far back as I can remember. And he's one rock star I've ALWAYS wanted to meet and never have.

I spent the show standing next to Bernie Taupin. When Elton gets off he comes into the building and signs a few autographs. I get him to autograph a card, and got to tell him that I was wearing one of his shirts from the Closet sale last week. He's a kinda staunch, British guy, who doesn't seem to smile too much, but when he heard this he gave me a big, child-like grin and said 'Thank you. God Bless You' which I regretfully didn't catch on camera cause I was pulling my coat open. Oh well.

Major rock star hangs are pretty common in NYC, but this one was REALLY cool.

WATCH THE VIDEO

Thursday, April 13, 2006

Inside Elton's closet

Every once in a while Elton John auctions off some of his unbelievable collection of clothes for his AIDS Foundation. This time it happened right here at Rockefeller Center and it did not disappoint. It was like a huge Elton Museum -- better than the Hard Rock cause you could try the damn stuff on!

Items included a black Versace suit with Elton's song titles - including "Tiny Dancer" and "Rocket Man" - woven into the fabric, and the polka-dot Richard James suit John wore when he performed with Eminem at the 2001 Grammy Awards.

"There probably isn't a more famous wardrobe in our lifetime, and having a fluorescent jacket that used to be owned by Elton John makes a great story," said Michael Macko, Saks' men's fashion director.

"Elton also knows how to pick out important and special pieces. He knows his designers and you can see he has selected the most important pieces from the collections. And he's from the `give-it-to-me-in-every-color' ilk."

These pictures don't really do this justice, and I didn't take any, but I certainly bought some swag. A full length, Giani Versace black leather jacket, a white sport coat with lizard trim, and about 10 dress shirts. The next time you see me coming you'll notice some new threads.